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performances and the videos. May 22, 2012, references:. Oscar Tuazon, the first exhibition room had messy liquids scattered on a plastic sheet across the floor. The museum was closing in a few hours so I decided to concentrate on viewing the non-video art. He uses modular parts and building materials to represent spaces we inhabit. Richard Hawkins, art that present perceptual embodiments of important ideas-not only ideas about existential phenomena, such as death, envy, love, and fame, but also conceptions of other-worldly things, such as heaven and hell (1) were absent from much of the non-video work I looked. Take the time to read the artist statements and dont expect to escape the concerns and problems of the outside world. At the request of my friends at The Biennial Project, Im sharing my impressions. . Sam Lewitt, normally, I like to interpret my art without reading the artist statements (which is sometimes better than the art and does not always relate to the art!). The small sculpture on the wall was an oatmeal covered weed trimmer by Michael Smith. "The Seasons" by Jutta Koether.



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Around the corner was a small object covered with oatmeal attached near the bottom of vps forex français a wall. So, I carefully read the statements. I was thinking that if the artwork were even half as good as the performance, this would be an exciting exhibition. Another space was filled with boxes, TVs and a bed. This is, however, often necessary for conceptual art in which the ideas are as important as the esthetics and emotional impact of the artwork. "Corporate Explotation and Economic Inequality" by LaToya Ruby Frazier. Art, throughout his life, remained a search for truth and his painting was a means in which the individual may be come keyed into the Eternal." (2) Many of these paintings were direct renditions of his visions, unfiltered by his conscious mind.

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